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・ Jupiter (novel)
・ Jupiter (rocket family)
・ Jupiter (roller coaster)
・ Jupiter (spacecraft)
・ Jupiter (Starfucker album)
・ Jupiter (Swallow the Moon)
・ Jupiter (tugboat)
・ Jupiter Ace
・ Jupiter Aerobatic Team
・ Jupiter Airlines
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・ Jupiter and Antiope
・ Jupiter and Antiope (David)
・ Jupiter and Antiope (van Dyck)
・ Jupiter and Antiope (Watteau)
Jupiter and Io
・ Jupiter and Lake Worth Railway
・ Jupiter and Semele
・ Jupiter and Thetis
・ Jupiter and Trojan Asteroid Explorer
・ Jupiter Ascending
・ Jupiter Award
・ Jupiter Band Instruments
・ Jupiter Barrier
・ Jupiter Bokondji
・ Jupiter Broadcasting
・ Jupiter Cantab
・ Jupiter Christian School
・ Jupiter Circus
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Jupiter and Io : ウィキペディア英語版
Jupiter and Io

''Jupiter and Io'' (c. 1530) is a painting by the Italian late Renaissance artist Antonio Allegri da Correggio. It is housed in the Kunsthistorisches Museum of Vienna, Austria.
==History==
The series of Jupiter's Loves was conceived after the success of ''Venus and Cupid with a Satyr''. Correggio painted four canvasses in total, although others had been programmed perhaps.
In the first edition of his ''Lives'', late Renaissance art biographer Giorgio Vasari mentions only two of the paintings, ''Leda'' (today at the Gemäldegalerie, Berlin) and one ''Venus'' (presumably the ''Danae'' currently in the Borghese Gallery of Rome), although he knew them only from descriptions provided by Giulio Romano. Vasari mentions that the commissioner, duke Federico Gonzaga II, wanted to donate the works to emperor and King of Spain Charles V: that the other two works, ''Ganymede Abducted by the Eagle'' and ''Jupiter and Io'', were in Spain during the 16th century implies that they were part of the same series. British art historian Cecil Gould suggested that Federico had commissioned the ''Io'' and ''Ganymede'' for himself, and that they were ceded to Charles V only after the duke's death in 1540, perhaps on occasion of the marriage of the king's son, Philip; other hypothesized that Federico ordered them for the Ovid room in his Palazzo Te.
The canvas was in Vienna since as early as the 1610s, when it is mentioned in the Habsburg imperial collections together with ''Ganymede''.〔

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